Experience The Real (?) Me at Roulette 3/19/2010

March 13, 2010
If any of you have a reason to be in the metropolitan NYC area on Friday, March 19th, you now have an even better reason!!  For that very night, my great friend, Tom Swafford, will be presenting an innovative concert program of his newest compositions entitled The Real (?) Me.  This concert will be held at a wonderful venue in Soho called Roulette, which is dedicated to the promotion of experimental music.  Tom has kindly asked me to perform two numbers on this program, and I’m really hoping that you all can be there!  For further details, please visit http://www.roulette.org/events/event.php/SWAFFORD10
 
  
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20 Greene St. (between Canal and Grand St.)
Admission $15 ($10 for students, seniors, and anyone under 30)

MEMBERS FREE
TICKETS/RSVP: 212.219.8242

http://www.roulette.org/

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Tom Swafford: The Real (?) Me
Fri Mar 19 – 8:30 PM
Lately violinist/composer Tom Swafford has felt adrift in a sea of musical genres, each one with its own set of aesthetic criteria and performance practice. Tom has reached the point where he wants to define exactly what his compositional voice is. This concert uses this well-worn cliché (The Real Me) as a unifying theme for the variety of his compositions presented. The centerpiece of the concert, This is the Real Me, a distilled opera written for vocalist/performer Gelsey Bell, addresses the issue of not just musical but personal self-definition through extended vocal techniques, a variety of musical styles, facial expressions and physical gestures. The text of Your (so called) Music (for spoken word artist Lee Todd Lacks and 12 piece string orchestra) is a vitriolic piece of hate mail Tom received after his last composition concert. Hecklepiece, for solo performer and hecklers, deals with some of the issues faced by musicians and composers-for-hire who must tailor their art to the demands of others. In this concert, Swafford is asking: “When given absolute freedom to create the music I want, without being subject to anyone else’s aesthetic criteria, what would that music be?” Also on the program is music for woodwind quintet, solo piano, banjo and string orchestra.

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